The IKONA mag
ISSUE 1
on KICKSTARTER
Roma Khleb
  • Irina Sevostyanova

    I glue my collages by intuition, I don’t think about composition rules even breaking them sometimes. Actually it is helpful not to use head with all its knowledge and just to create. If you think too much about design in a collage creative layer of your work slips away, and the work looks too “refined”, so you will get much less pleasure of the result.

  • Anna Roslyakova

    I often hear “If you don’t know what to do - do what you know”. It means “if you can’t improve world’s injustice – do what you can do and do it as well as you can”, or “if you are sure you are a good artist you worth doing what you have intended to do than introspecting and wasting time”.

  • Artem Mishukov

    We’re all synchronized with everything; something has an effect on us, and we have an effect on something else – it’s like a flood. Man always asks himself: «What am I doing and why?» and it is the same in art. Some events just push you to it.

  • Nina Stadnik

    New experience is the best. It is always pleasant when somebody is ready to wash your brushes while you are going in for art or dancing. However you’d better washed your brushes by yourself especially if you do it for someone else.

  • Sveta Mullari

    I am a technique-fetishist. Any technique is like a…(It is difficult not to use metaphors related with children, you know) labyrinth. When studying it you face with many surprises that change your opinion about drawing.

  • Elena Chetverik

    I think many people don’t go in for creation just because there is a stereotype that creation and particularly drawing are given by nature. I think that nature gives other qualities that either let you go in for creation or not. One of these qualities is attentiveness.

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